HOW TO ALIVE AND KICKING IN PARIS

Forget about the sleazy tourist traps in Pigalle, there’s only one place to see burlesque in Paris: the Crazy Horse, opened in 1951. Eleanor Aldridge spent the night at the city’s decidedly contemporary cabaret to see for herself.

The room is dark, illuminated only by glowing champagne buckets at the centre of each red velvet booth. Then, to the strains of a sultry Britney Spears cover, the curtains open.

Launching the second half of the show at the Crazy Horse tonight is Undress to Kill, a striptease like no other, designed by Dita Von Teese. The dancer is completely nude, dressed instead in Le Crazy’s signature projections – a backless red dress slowly morphs into an intricate veil of lace as the performer leans in and out of the light.

Every performer has six pairs of made-to-order heels and costumes are handmade, taking up to a week apiece
This is Totally Crazy, the cabaret’s new show for 2017. Modern burlesque meets high fashion; it’s a riot of spectacular lighting, barely-there costumes, beat-perfect choreography and angular fluoro wigs. It’s also a hell of a lot of fun.

Today, the Crazy Horse is the most famous cabaret in the city. The artistic vision of Andrée Deissenberg, previously of Cirque du Soleil, it’s become a Parisian institution, renowned for its celebration of femininity and beauty. Under the guidance of Creative Director Ali Mahdavi, they aim to glorify “the powerful, dominant, insubordinate female” – essentially women who like to run the show.

Since Andrée took the reins ten years ago, Le Crazy has gone from strength to strength, with Dita Von Teese by no means the most famous collaborator. The last few years have seen famous faces such as Conchita Wurst take to the stage, and the star-studded audience range from Rihanna and John Legend to Cara Delevingne and Jean Paul Gaultier.